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- 19th century, 20th century, TGC pdf article, Copy, typesetting, printing (presses, inks) and correction, Fonts (incl. design and foundries)
Janne van der Loop, Boekdruk in het donker. Brailledrukletters in Nederland van Chrysostomus van de Ven tot Dorus Nass (1868–1932)
- €7,00
- Boekdruk in het donker. Brailledrukletters in Nederland van Chrysostomus van de Ven tot Dorus Nass (1868–1932) Janne van der Loop in De Gulden Passer, vol. 100 (2022), nr. 1, pp. 38–55
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- 21st century, TGC pdf contribution, Formats / text design, Fonts (incl. design and foundries)
Verslag van het Zomertyposium XI van Initiaal ‘Lees mijn boek!’ Uitgeven in al zijn facetten
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- Verslag van het Zomertyposium XI van Initiaal ‘Lees mijn boek!’ Uitgeven in al zijn facetten in De Gulden Passer, vol. 94 (2016), nr. 2, pp. 357–363
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- 17th century, TGC pdf contribution, Fonts (incl. design and foundries)
Noël Golvers, The earliest examples of Chinese characters printed in the Southern Low Countries (Leuven, 1672; Antwerp, 1683)
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- The earliest examples of Chinese characters printed in the Southern Low Countries (Leuven, 1672; Antwerp, 1683) Noël Golvers in De Gulden Passer, vol. 94 (2016), nr. 2, pp. 319–333
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- 19th century, 20th century, Product range (genre/language) and form of the traded book of the, TGC pdf article, Finance, print runs and prices, Formats / text design, The book as a physical object, Illustration and decoration, Copy, typesetting, printing (presses, inks) and correction, Fonts (incl. design and foundries), Paper (incl. production, watermarks, trading), Relationship publisher-author, Co-operation
Paul van Capelleveen, Vlaamse private presses rond 1900. Het ontweken voorbeeld van William Morris
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- Vlaamse private presses rond 1900. Het ontweken voorbeeld van William Morris Paul van Capelleveen in De Gulden Passer, vol. 95 (2017), nr. 1, pp. 61–122
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- 16th century, TGC pdf article, Fonts (incl. design and foundries)
Hendrik D.L. Vervliet, Granjon’s music founts: an addition
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- Granjon’s music founts: an addition Hendrik D.L. Vervliet in De Gulden Passer, vol. 95 (2017), nr. 1, pp. 35–36
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- 16th century, TGC pdf article, Fonts (incl. design and foundries)
Patrick Storme, Erik Fransen, Karolien De Wael & Joost Caen, X-Ray Fluorescence as an analytical tool for studying the copper matrices in the collection of the Museum Plantin-Moretus
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- X-Ray Fluorescence as an analytical tool for studying the copper matrices in the collection of the Museum Plantin-Moretus Patrick Storme, Erik Fransen, Karolien De Wael & Joost Caen in De Gulden Passer, vol. 95 (2017), nr. 1, pp. 7–33
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- 21st century, TGC pdf contribution, Fonts (incl. design and foundries)
Connie Wera & Walda Verbaenen, Verslag Typosium XII van Initiaal [ 26 augustus 2017 ] in/vorm
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- Verslag Typosium XII van Initiaal [ 26 augustus 2017 ] in/vorm Connie Wera & Walda Verbaenen in De Gulden Passer, vol. 95 (2017), nr. 2, pp. 305–313
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- 16th century, TGC pdf article, Fonts (incl. design and foundries)
Hendrik D.L. Vervliet, Granjon in Antwerp: 1564–1570
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- Granjon in Antwerp: 1564–1570 Hendrik D.L. Vervliet in De Gulden Passer, vol. 95 (2017), nr. 2, pp. 195–229
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- 21st century, TGC pdf contribution, Formats / text design, Illustration and decoration, Fonts (incl. design and foundries)
Walda Verbaenen, Verslag Typosium XIII van Initiaal: In/druk. De rol van de illustrator en typograaf in de gedrukte media
- €7,00
- Verslag Typosium XIII van Initiaal: In/druk. De rol van de illustrator en typograaf in de gedrukte media Walda Verbaenen in De Gulden Passer, vol. 96 (2018), nr. 2, pp. 339–348
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- 20th century, DGP pdf-in-memoriam, Institutional libraries, Fonts (incl. design and foundries)
Ludo Simons, In memoriam H.D.L. Vervliet (1923–2020)
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- In memoriam H.D.L. Vervliet (1923–2020) Ludo Simons in De Gulden Passer, vol. 99 (2021), nr. 1, pp. 127–135
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- 15th century and earlier, 16th century, Fonts (incl. design and foundries), Printed Book
Goran Proot, Metamorfose. Typographical evolution of the hand-printed book in the Southern Low Countries , 1473-1541 (in Dutch)
- €22,00
- Catalogus bij de tentoonstelling in de Bibliotheek Stadscampus van de Universiteit Antwerpen, 13 november 2017-29 november 2017.
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