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- 19th century, TGC pdf article, Formats / text design, Illustration and decoration, Copy, typesetting, printing (presses, inks) and correction, Fonts (incl. design and foundries), Co-operation
Michaël Rosenfeld, Émile Van Balberghe & Jacques Detemmerman, Le J’accuse…! d’Émile Zola imprimé en caractères plantiniens (1899)
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- Le J’accuse…! d’Émile Zola imprimé en caractères plantiniens (1899) Michaël Rosenfeld, Émile Van Balberghe & Jacques Detemmerman in De Gulden Passer, vol. 101 (2023), nr. 2, pp. 189–222
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- 16th century, 17th century, TGC pdf article, Finance, print runs and prices, Formats / text design, Illustration and decoration, Copy, typesetting, printing (presses, inks) and correction
Dirk Imhof, Plantijns edities van Guicciardini’s beschrijving van de Nederlanden: een werk van lange adem
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- Plantijns edities van Guicciardini’s beschrijving van de Nederlanden: een werk van lange adem Dirk Imhof in De Gulden Passer, vol. 101 (2023), nr. 2, pp. 147–165
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- 19th century, 20th century, TGC pdf article, Copy, typesetting, printing (presses, inks) and correction, Fonts (incl. design and foundries)
Janne van der Loop, Boekdruk in het donker. Brailledrukletters in Nederland van Chrysostomus van de Ven tot Dorus Nass (1868–1932)
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- Boekdruk in het donker. Brailledrukletters in Nederland van Chrysostomus van de Ven tot Dorus Nass (1868–1932) Janne van der Loop in De Gulden Passer, vol. 100 (2022), nr. 1, pp. 38–55
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- 19th century, 20th century, Product range (genre/language) and form of the traded book of the, TGC pdf article, Finance, print runs and prices, Formats / text design, The book as a physical object, Illustration and decoration, Copy, typesetting, printing (presses, inks) and correction, Fonts (incl. design and foundries), Paper (incl. production, watermarks, trading), Relationship publisher-author, Co-operation
Paul van Capelleveen, Vlaamse private presses rond 1900. Het ontweken voorbeeld van William Morris
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- Vlaamse private presses rond 1900. Het ontweken voorbeeld van William Morris Paul van Capelleveen in De Gulden Passer, vol. 95 (2017), nr. 1, pp. 61–122
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- 18th century, TGC pdf contribution, Formats / text design, Copy, typesetting, printing (presses, inks) and correction, Organisation of the printshop/publishing house, Relationship publisher-author
Johan Hanselaer, Een sterfgeval voorspeld? Het gebedenboek voor het Sint-Autbertusbegijnhof, gheseyt ’t Poortacker, te Gent
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- Een sterfgeval voorspeld? Het gebedenboek voor het Sint-Autbertusbegijnhof, gheseyt ’t Poortacker, te Gent Johan Hanselaer in De Gulden Passer, vol. 95 (2017), nr. 2, pp. 283–296
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- 16th century, 17th century, TGC pdf contribution, Illustration and decoration, Copy, typesetting, printing (presses, inks) and correction
Jessie Wei-Hsuan Chen, Printing matrices as a source: Studying the botanical woodblocks at the Museum Plantin-Moretus
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- Printing matrices as a source: Studying the botanical woodblocks at the Museum Plantin-Moretus Jessie Wei-Hsuan Chen in De Gulden Passer, vol. 96 (2018), nr. 2, pp. 245–259
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- 16th century, TGC pdf article, Finance, print runs and prices, Formats / text design, Types of trading / payment, Copy, typesetting, printing (presses, inks) and correction
J. Christopher Warner, The printing of dissertations in sixteenth-century Louvain. A reconsideration in light of other samples and factors
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- The printing of dissertations in sixteenth-century Louvain. A reconsideration in light of other samples and factors J. Christopher Warner in De Gulden Passer, vol. 96 (2018), nr. 2, pp. 183–244
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- 16th century, TGC pdf article, Copy, typesetting, printing (presses, inks) and correction, Organisation of the printshop/publishing house
Piet Franssen, Productiebeleid binnen de uitgeverij van Jan van Doesborch: de casus Den oorspronck onser salicheyt (1517)
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- Productiebeleid binnen de uitgeverij van Jan van Doesborch: de casus Den oorspronck onser salicheyt (1517) Piet Franssen in De Gulden Passer, vol. 97 (2019), nr. 1, pp. 7–40
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- 16th century, Censorship, TGC pdf article, Copy, typesetting, printing (presses, inks) and correction, Copyrights and reprints
Kristof Selleslach, De kopij van het Plantijnse Nievvve Testament van 1577 met een analyse van de privileges
- €7,00
- De kopij van het Plantijnse Nievvve Testament van 1577 met een analyse van de privileges Kristof Selleslach in De Gulden Passer, vol. 97 (2019), nr. 1, pp. 41–58
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- 17th century, TGC pdf article, Finance, print runs and prices, Copy, typesetting, printing (presses, inks) and correction, Organisation of the printshop/publishing house
Xevi Camprubí, The importance of ephemera for the printing industry in the early modern period: The case of Barcelona
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- The importance of ephemera for the printing industry in the early modern period: The case of Barcelona Xevi Camprubí in De Gulden Passer, vol. 98 (2020), nr. 1, pp. 119–150
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- 17th century, The library, its design and function, TGC pdf article, Distribution, Finance, print runs and prices, International trading, Types of trading / payment, Copy, typesetting, printing (presses, inks) and correction, Organisation of the printshop/publishing house
Kristof Selleslach, How to transfer the Officina Plantiniana to the next generation. The instructions of Balthasar Moretus II to his future heirs (1659–1673)
- €7,00
- How to transfer the Officina Plantiniana to the next generation. The instructions of Balthasar Moretus II to his future heirs (1659–1673) Kristof Selleslach in De Gulden Passer, vol. 98 (2020), nr. 2, pp. 205–297
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- 16th century, TGC pdf article, Copy, typesetting, printing (presses, inks) and correction
Herre de Vries & Anne Popkema, Uitgaven, spookedities en ‘lost books’. Over de quodlibeta van de Leuvense theoloog Johannes Varenacker († 1475)
- €7,00
- Uitgaven, spookedities en ‘lost books’. Over de quodlibeta van de Leuvense theoloog Johannes Varenacker († 1475) Herre de Vries & Anne Popkema in De Gulden Passer, vol. 99 (2021), nr. 1, pp. 7–53
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