Printing matrices as a source: Studying the botanical woodblocks at the Museum Plantin-Moretus Jessie Wei-Hsuan Chen in De Gulden Passer, vol. 96 (2018), nr. 2, pp. 245–259
The printing of dissertations in sixteenth-century Louvain. A reconsideration in light of other samples and factors J. Christopher Warner in De Gulden Passer, vol. 96 (2018), nr. 2, pp. 183–244
‘A Paris. Au Compas d’or, Rue Sainct Jacques’. La succursale parisienne de Plantin. Seconde partie: la succursale source d’approvisionnement, activités annexes, économie d’une succursale, motifs du changement d’organisation en 1577 Denis Pallier in De Gulden Passer, vol. 99 (2021), nr. 2, pp. 167–251
Productiebeleid binnen de uitgeverij van Jan van Doesborch: de casus Den oorspronck onser salicheyt (1517) Piet Franssen in De Gulden Passer, vol. 97 (2019), nr. 1, pp. 7–40
De kopij van het Plantijnse Nievvve Testament van 1577 met een analyse van de privileges Kristof Selleslach in De Gulden Passer, vol. 97 (2019), nr. 1, pp. 41–58
A Hippocrates for eight stuivers: On Petrus Nannius’ library and the earliest known Leuven book auction (1557) Xander Feys in De Gulden Passer, vol. 98 (2020), nr. 1, pp. 239–257
In the mind of a publisher. Establishing the price of emblem books in Antwerp in the sixteenth century Renaud Milazzo in De Gulden Passer, vol. 98 (2020), nr. 2, pp. 183–202 Published in open access: gratis PDF
Publishing risk and cost incentives in Early Modern printing. An examination of Christopher Plantin’s operations Mark McConnell in De Gulden Passer, vol. 98 (2020), nr. 2, pp. 129–182 Published in open access: gratis PDF